Porch at Sewanee |
Grandmother Nell’s gallery was a wrap-around porch that held tall-backed rockers, pots of pale green Boston fern, and a green slat-backed swing that creaked when we pushed it back and forth with our bare feet. From the vantage point of that porch, my grandmother could see everyone who drove by on Tenth Avenue, or walked on the sidewalk in front of her Victorian house with its cupola that boasted one stained glass window. Those “passings” supplied topics for evening conversations.
Our very small Sewanee porch with its plethora of wrought iron is a place where we sit in late evening to garner a bit of peace and to listen to cicadas, crickets, and tree frogs, all singing in a monotonous cadence, a summons to enjoy nature’s plainchants. Also, in late summer, the distant cries of boys practicing football on the university field pierce the quiet of our porch sit, announcing that Fall is about to commence. As E. B. White once quoted from Thoreau: “…slight sound[s] at evening lift me up by the ears, and make life seem inexpressibly serene and grand…”
Porches of any kind incite nostalgia in me, remind me of evenings at some outdoor retreat where cool drinks are served and of the old custom of serving mint juleps on the verandah at Belmont Plantation in New Iberia, Louisiana. On the long porch, painted a forest green, at 5 p.m. daily, the Wyche family gathered with friends for evening libations and to tell family stories or to discuss politics, food, and books. I might add, there was never any silence. “Big Jimmy’s” special mint julep held a sprig from his own patch, and he claimed that if a man couldn’t grow the plant, he was hen-pecked. I have no clue regarding the origin of this story, nor do I understand why a man’s ability to grow mint depends on his relationship with his wife.
While thinking about Jimmy’s cool libation, I remembered my father’s love of mint and the many patches he had grown near the porches in my childhood, and even into adulthood, the last patch being beside a screen porch in Franklinton, Louisiana. During my father’s demise, he sat on that porch daily, winter or summer, a melancholy figure looking out at his backyard garden of pole beans, tomatoes, lettuce, and field peas, silent and suffering from the lung cancer that would take his life. In several of the books I’ve written, I mention that he did indulge in sudden outbursts while sitting on the screened porch – recitations of “Invictus,” in which he claimed he was the “master of his fate, and the captain of his soul,” believing that he could control both his life and the time of his death. He was wrong, of course.
View of woods from porch |
IN MEMORY OF MINT (verses one, two, five, and six of six verses)
It was not a sentimental act –
planting the mint
although my father planted a patch
every place we lived,
every time we moved,
and the underground runners
took over our backyards,
a space of its own forever.
He
would have liked modernity
and
what it has claimed
for
the use of mint:
mint
rubbing,
otherwise
known as wasting time,
a
way of achieving peace and calm,
rubbing
mint leaves
between
the fingers for two hours,
a
scent, sweet and aromatic,
hovering
above the head,
relaxing
the brain.
I
suppose mint symbolizes indolence,
the
long plantation porch
and
between the white columns,
a
wicker table holding glasses
beaded
with condensation,
filled
with bourbon, ice, sugar,
a
mint leaf drooping from frosted rims.
Porch
sitting, mint rubbing, wasting time,
always
the easy air of summer,
bees
droning around a plant
pungent
enough to defy my querulous line:
“it
was not a sentimental act,”
as
I bend to break a leaf,
rubbing
it between my fingers,
a
sacred but trivial salute
to
my father.
1 comment:
Your vivid descriptions here make me feel I am sitting beside you on your porch breathing in the strong scent of mint and enjoying a cool glass of mint julep. I also yearn for 68 degrees!
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