During the 90’s, when I visited my godfather Markham Peacock
in Blacksburg, Virginia, he and his friend, Preston Fraser, took us on Sunday
jaunts to lunch at the Greenbrier Hotel near the town of White Sulphur Springs
in Greenbrier County, West Virginia. This magnificent five-star hotel is
located in a valley of the Allegheny Mountains close to the Greenbrier State
Forest, an area with rocky ridges and streams, forested with many pines and
hemlocks and bisected by Kate Mountain. We did not visit the State Forest of
over 5,100 acres, but passed through some of the most beautiful areas in West
Virginia, stopping along the way so that Markham and Preston could watch trains
cross a trestle nearby. Both men were in their eighties, but watched and
listened to the trains with small-boy fascination. When I saw the title, Greenbrier Forest by Dabney Stuart on Pinyon Publishing’s
list of recent poetry publications, I was overcome with nostalgia as Markham
Peacock was a tall figure in my life, and he loved to make that Sunday drive to
Greenbrier County for many years, always scheduling the White Sulphur Springs
trip when I went up from Louisiana to Virginia for my annual visit.
I ordered Greenbrier
Forest, asking that it be sent by overnight mail, and it arrived yesterday.
It’s a lovely book with an attractive green-hued cover displaying Dabney Stuart’s
photograph of “Hart’s Run” within the Greenbrier State Forest and complemented
by a back cover design of tree leaves scattering in the wind, executed by Susan
Elliott who designs all of Pinyon Publishing’s arresting covers.
Dabney Stuart and his wife spend a week in the Greenbrier
State Park twice a year, and Dabney has been writing and revising the poems for
Greenbrier Forest in that peaceful environment
for fifteen years. The poems are untitled and uncategorized “contemplations”
that immediately struck me with their similarity to Oriental poetry. I thought
about the work of the great Sufi poet, Rumi, whose creativity came from a “mind
within a mind,” the inner vision of the world revealing itself to a sharp intellectual
perception. An example of that similarity between Dabney and Rumi is a poem on
p.7 of Greenbrier Forest: “Fog
pockets in the hemlocks./To absorb well what you are/in the midst of
leaving,/precious for not being desired./They dry, lift./The needles sharpen.”
I have a very old hemlock in my front yard here at Sewanee, Tennessee, and as I read the poem, I could see the aged tree topped by fog, its needles drying and sharpening as the fog lifted and passed on — and, at a deeper mystical level, I envisioned an aging person accepting who he is in the world without desiring to stay in the place he presently occupies.
I have a very old hemlock in my front yard here at Sewanee, Tennessee, and as I read the poem, I could see the aged tree topped by fog, its needles drying and sharpening as the fog lifted and passed on — and, at a deeper mystical level, I envisioned an aging person accepting who he is in the world without desiring to stay in the place he presently occupies.
Oriental poets claim that poetry is the fruit of spiritual
vision, and this is a meet description of the poetry in Dabney’s book – it moves
like a transformation of the soul, as Dabney notes, “Words are the spirit’s
rove and nestle,/its till. Waking into them roils and tosses,/the solace of
rift and abrasion, spark,/our letting go./Into. Through. Little cheers/the
spirit leases as it moves,/no matter where.”
Dabney skillfully conveys his response to the forest without
detailed, concrete descriptions of trees, birds, streams — writing that “as the
morning gathers/names fade toward their sources,/fluent eventual, birds/becoming
the sky they filter through,/the soft beat of wings left on the air/a web, a
voice.”
I was particularly drawn to the succinct ending of a poem
that resonates with a tongue-in-cheek, philosophical metaphor: “Dismay, the
little chisel,/and its small-minded acolyte,/bewilderment, chipping,/chipping. A
beat/ to tune by, an inclination.”
Coleman Barks has said of Rumi’s poems, “they are not so
much about anything as spoken from within something. Call it enlightenment,
ecstatic love, spirit, soul, truth, the ocean of ilm (divine luminous wisdom)…names do not matter…” I pondered those
words as I read Dabney’s poetry — poems in which the inner eye becomes the tool
of perception, as he pays homage to the Spirit with language from the place of “speaking
within something.”
Greenbrier Forest
can be ordered at www.pinyon-publishing.com/books.html
and by mail at Pinyon Publishing, 23847 V66 Trail, Montrose, CO 81403.
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