Monday, October 29, 2012
WHY WATER PLANTS DON’T DROWN
My good friend, Victoria Sullivan, has written a book, Why Water Plants Don’t Drown, about aquatic and wetland plants, beautifully illustrated by Susan Elliott, artist, ecologist, and writer with Pinyon Publishing, a quality press located in the U.S. Rockies in Montrose, Colorado. Pinyon published the book on October 15, and we arrived in New Iberia Friday to find boxes of it safely stored with our friend, Janet Faulk-Gonzales.
Vickie, a writer and botanist, has a Ph.D. in biology from Florida State University and is a former professor with the University of Louisiana in Lafayette. She has published numerous botanical papers, fiction, and non-fiction, including the speculative novel, Adoption, also published by Pinyon. Vickie was recently honored by a new flower species Eupatorium sullivaniae being named after her, crediting her extensive scientific research on the Eupatorium genus.
Susan Elizabeth Elliott studied botany and French at Humboldt State University and has a Ph.D. in biology from Dartmouth College. She has published fiction and nonfiction, and her paintings are showcased in Open the Gates: Poems for Young Readers by Dabney Stuart, as well as in Why Water Plants Don’t Drown. Her drawings and paintings in Why Water Plants Don’t Drown greatly enhance and clarify the scientific text.
The following is an interview with Vickie in which she talked about this basic biological and ecological text:
Moore: I know that you wrote one version of Why Water Plants Don’t Drown in the 90’s and didn’t write this later version until last year. What prompted you to “begin again?”
Sullivan: I wrote a children's version of Why Water Plants Don’t Drown, which was bought by Franklin Watts, a division of Grolier that was then bought by Scholastic. My manuscript got sidelined in the buy out, and my editor there didn’t continue with Scholastic. I asked to be released from the contract with Scholastic and began looking for a new publisher. Pinyon Publishing became interested, but wanted the book pitched to nature enthusiasts of any age and to contain more science. I rewrote the manuscript, keeping the title and general categories of water plants. Gary Entsminger, the publisher, and Susan Elliott, the illustrator and botanist, provided excellent comments and suggestions for additions (and subtractions) from my draft manuscript.
Moore: What do you mean by Survival Strategies of Aquatic and Wetland Plants?
Sullivan: Plants that normally live on dry land cannot live in water or wet places for very long. Aquatic and wetland plants can only do so because they have adaptations that allow them to thrive in such habitats. Regardless of where they live, all plants have basic needs that must be met. They must have adequate light and concentrations of needed gases, the body must be supported, and they must be able to reproduce.
Moore: Why is light a problem for water plants?
Sullivan: Plants make food using sunlight or artificial light in the case of aquaria, but when light passes through water some wavelengths they need are filtered out. Plants living submerged in water must compensate by being more efficient in absorbing the light waves that they need.
Light and need for gases are linked in water plants. All plants need two gases, carbon dioxide and oxygen, and these are not as concentrated in water as they are in the air above the water. Water plants trap gases in air spaces in their bodies for later use. The same plant tissue that traps gases also allows them to float in water, in other words, to be supported by the water. If you examine a water hyacinth plant, a common floating plant in parts of the US, especially the southeast, you'll see that much of the plant is made of air spaces. Being supported by water is important because if water plants sink too deeply below the surface, they’ll be below the level of adequate light penetration for photosynthesis.
Being stiffly supported by hard stems and tough leaves, as in land plants, is a disadvantage in water. Water currents flowing across such stiff plants would tear them apart. Water plants that grow submerged tend to be soft and flimsy providing little resistance to the currents.
Moore: How do plants reproduce in water? On land, plants have flowers that make seeds. Do water plants have underwater flowers?
Sullivan: Reproduction by seeds varies in water plants and may occur after pollination underwater in some species or above water in flowers that attract pollinators. Underwater flowers are very nondescript and even hard to recognize as flowers. A common feature of water plants is to reproduce by cloning without seeds that is by breaking apart with parts growing into new plants. Hydrilla, the invasive scourge, and other water plants are able to spread as carry pieces of plants are carried from place to place on boats, wading birds, etc. In addition, hydrilla and others like it produce underground buds in great abundance that lie dormant for periods of time.
Flooded soils are low or lacking in oxygen, which is a problem that rooted aquatic and wetlands plants must overcome. Roots need oxygen and land soils have oxygen in air pockets among the soil particles. The aquatic and wetland plants I call snorkelers, pump oxygen to the roots in various ways from the surface. Water lilies, for example, take in gases through stomates in their floating leaves. As the sun heats the leaves, the gases expand and get pushed down through column in the leaf stalks, all the way to roots. Excess gases are pushed out into the underwater soils providing oxygen to other organisms. Methane, or marsh gases, and carbon dioxide from the roots move up the columns within these plants and are leaked into the atmosphere through stomates of older leaves.
Moore: in talking with Lorraine Kingston, owner of the New Iberia Books along the Teche bookstore, she suggested that the book should attract Louisianans because of the interest in environmental concerns – salt water intrusion and the demise of vegetation along the coast. Do you think your book will provide insights into Louisiana environmental problems? What about wetland plant loss?
Sullivan: Lack of sedimentation is a major problem for wetland habitats, and finding a means of replenishing flow of sediments is needed and being worked on. Over 40% of wetland habitats in the U.S. occur in Louisiana, and between 1932 and 2010, Louisiana lost 25% of its wetlands. Levees channelized natural waterways preventing overflow, robbing wetlands along the watercourse and coastal marshlands downstream of a flow of nourishing sedimentation. Without a sediments supply, marshlands erode and plants die leaving behind open water.
Intensive oil and gas industry development in Louisiana has damaged coastal wetlands. Spoil from canals dug to access well sites is piled along canal banks, smothering plants and impeding the flow of water and sediments. Also, the extraction of oil and gas from underground causes the marshes to sink and be replaced by open water.
Assessment of the impact of the British Petroleum Deepwater Horizon oil spill is in its early stages. Marsh plants growing 15-30 feet from the shoreline were killed, and as this happened, roots could no longer hold sediments, and erosion from wave action along the marsh edges more than doubled.
Moore: How does sea level rise affect coastal wetlands?
Sullivan: Sea level rise affects coastal wetlands worldwide. Over time, elevations of marshes rise naturally through sedimentation and vegetation decay. However, if sea levels rise too rapidly, natural sedimentation can be outpaced, and coastal wetlands retreat inland, if possible or disappear. The EPA has predicted that during the next century, sea levels will rise 6 to 13 inches, which would inundate coastal wetlands. Over time sea levels rise during interglacial period, like this one, but the current pace of rise is higher than previous interglacial periods.
Moore: Tell me a little about each category of water plants you wrote about:
Sullivan: There are four categories of water plants and each one has a particular set of strategies or adaptations for surviving in water and wetlands. Diver is the playful name I give to plants that grow submerged in water. They float in the water at levels where there is sufficient light for photosynthesis, and are enabled by special air filled tissue to do so. A few are water pollinated, but some like Bladderwort produce lovely yellow or purple flowers above the water. Bladderworts are carnivorous plants that trap small aquatic animals in bladder traps. The cover illustration of Why Water Plants Don't Drown is of a bladderwort in flower and shows the underwater traps. Some of the most noxious aquatic plants such as hydrilla and water milfoils are divers. Many species of divers in marine habitats provide important nursery grounds for shrimp and fish.
Floaters include a disparate variety of species such as water hyacinths, duckweeds, mosquito fern and others. As the playful designation implies they float on the water surface, un-rooted in the soil. The leaves of water hyacinth act as sails and colonies like great rafts move on lakes and waterways. Water hyacinths invaded from South America and spread throughout the southeastern U.S. from plants given away at the International Cotton Exposition held in New Orleans in 1884. The exotic, purple flowers, with yellow encircled bull's eye nectar guides, attract pollinators.
The water lily and lotus are floating-leaf plants familiar to everyone. The circular or heart shaped leaf blades attached to long leaf stalks and float on the water surface. The leaf stalks attach deep underwater to horizontal buried stems. Inside the leaf stalks are hollow passageways for movement of gases from leaf blades downward to roots and back upward to leaf blades. I have dubbed this process snorkeling, which is common among the fourth category of wetland plants.
Waders are in the category of plants that grow in wet area with the upper part above water. The depth of water in which they grow varies. Many waders have proven to be snorkelers that are beneficial in oxygenating soils and ridding soils of methane. A few examples include cattails, the several species Spartina, bull tongue, mangroves, bald cypress, and cardinal flower. Leaves receive full sunlight unfiltered by water, have stiff supportive above water plants, and reproduce by seeds. Many in this category are wind pollinated grasses and sedges, which typically have reduced flower parts. Others such as the cardinal flower, with its spectacular red flowers, attract pollinators, in this case insects and hummingbirds.
Moore: Artist Susan Elliott is an ecologist as well as an artist, and her illustrations are beautiful. How did you and Susan coordinate the writing and illustrations for the book?
Sullivan: I feel very lucky to have found Susan to work with me on this book. Not only is she a wonderful artist, but she has a PhD in botany. We have never met although I feel like I know her. We worked entirely online, and our work began with my preparing a list of what I thought a reader would find helpful to have illustrated. She honed a method by trial and error aided by her knowledge of technique and software. A method evolved in which she emailed a "pencil" sketch attachment of each illustration, on which I commented as necessary, and she would adjust. She then colored using some computerized method, which is still mysterious to me.
Moore: Did the two of you have an audience in mind when you began work on the book?
Sullivan: I guess you could say we were passionate about making a book that would interest and entertain readers as much as we were interested in the topic. Aquatic and wetland plants are like desert plants in the sense that are found only in certain places. That enhances their specialness for me and digging into the natural history of water plants reveals layers of mystery.
Moore: Why is flooding a serious problem for plants if water plants don’t drown?
Sullivan: The title is a tongue in cheek because of course, drowning is a phenomenon that happens when lungs fill with water depriving us and any other land animal of oxygen. Plants don't have lungs, but their cells do need oxygen. When soils are flooded, water fills the air pockets between the soil particles and microorganisms use up the rest of the oxygen dissolved in water. Root cells become deprived of oxygen, which they need desperately. Water plants have ways of getting oxygen to the root cells that other plants don't have, and this is why they don't "drown."
Moore: Do you and Susan plan to work on another book together?
Sullivan: I’m open to the possibility, but we haven’t discussed it.
Sunday, October 28, 2012
PATH OF LIGHTNING
Yesterday, when I arrived back in New Iberia, Louisiana for my winter sojourn, I found a package of books from Pinyon Publishing in Montrose, Colorado, one of which I had ordered several weeks ago, a spiritual autobiography entitled Path of Lightning by Barbara Schmitz. The book lives up to its title as a path of lightning as the author takes readers on her zigzagging search for God that begins with her Roman Catholic childhood in Nebraska and continues into her apprenticeship with Shahabuddin Less, a Sufi teacher with the Sufi Order of the West.
Schmitz’s journey is a long, circuitous one that takes her from Naropa Institute and study with Allen Ginsburg, (who was invited there by the Tibetan Lama Chogyam Trungpa), to a Peace Vigil above the Wailing Wall in Israel, with travels along the way in Bali, India, Turkey, and Kashmir.
Schmitz, an English teacher and writer living in Norfolk, Nebraska, also studied Carl Jung, Joseph Campbell, and Paramahansa Yogananda, made pilgrimages to sacred places around the world searching for mystical experiences, and ultimately found her place within the Sufi tradition by practicing Sohbet (spiritual discourse) with Shahabuddin, her teacher and mentor.
During her journey through “two year intensives,” and the deepening of her spiritual experiences, Schmitz began to feel despair and experienced the “dark night of the soul,” a period of boredom and aridity accompanied by stagnation of will and intelligence. She quotes from one of my favorite authors, Evelyn Underhill, the Anglican mystic who wrote the “bible” on the enhancement of consciousness, Mysticism: A Study of the Nature and Development of Man’s Spiritual Consciousness, and who advocated that the dark night is a natural balance to the highs of spiritual exultation and the reception of the Holy Spirit. Underhill would have applauded Schmitz’s long journey as she wrote that “we are all the kindred of mystics…”
I particularly appreciated the section relating to the famous Turkish-born poet Rumi, who has gained popularity in the U.S. with the publication of his famous poem (included in Path of Lightning): “This we have now/is not imagination. /This is not/grief or joy. /not a judging state, /or an elation, /or sadness. /Those come and go. /This is the presence/that does not…”
Schmitz is a poet who has been recognized by Natalie Goldberg as someone who “endeavors to understand the mystery and beauty of being alive. I name her the Queen of Constancy for her devotion to meditation and never letting up or giving up on her spiritual journey.” One of Schmitz’s minimal poems in Path of Lightning, which she wrote on a pilgrimage to Turkey, illustrates her training in and mastery of metaphor, as well as her appreciation for the style of Sufi poet Rumi: “In Turkey/in the cemeteries/the uncut grass/on graves above/grows long/competing/with the uncut hair/beneath.”
Schmitz struggles through the four C’s on her journey: “Compare Not, Complain Not, Criticize Not, and Condemn Not” and remarks, “If I really do these, there’s not much left to talk about. I made a small sticky note with the four C’s on it and attached it to a photo on my desk at work to remind me to practice them at school. I gave it a stab – glad I didn’t have to report to anyone on how well I did them…” Those four C’s resonate throughout the Path of Lightning and are good guideposts for anyone engaged in a deeper search for spiritual enlightenment and compassionate treatment of fellow human beings.
On one of Schmitz’s trips to India, she pays loving tribute to her husband who has made his own spiritual journey alongside her to various countries and through her many illuminations. The sincerity of this passage impressed me deeply: “I sometimes don’t notice right at the moment, but Bob is as much my teacher as Shahabuddin, probably from the moment I made the decision to trust that my love for him (Bob) would lead me to God. He is always beside me, clarifying, discussing, helping, redirecting me when I get mixed up or confused…”
This is an unusual book written in a highly accessible style by a highly enlightened person who was given the name Vajra by her Sufi teacher after her first trip to India – a name that means “transformation by the lightning bolt,” and the Path of Lightning is filled with illuminating flashes that will attract readers interested in further developing their spiritual growth.
An incisive note by Schmitz on the compassion advocated throughout Path of Lightning: “Our path is to live with others, to learn to be a human being, Self analysis is looking at the self in relation to one’s family, peers, and friends…and I remember Shahabuddin teaching in one of our seminars, ‘We are sitting on a pile of gold. Why do we want to pick up rocks?’” After reading this personal odyssey about self awareness and growth toward “otherness,” we might ask, “Why indeed?!”
Available at Pinyon Publishing, 23847 V66 Trail, Montrose, CO 81403.
Schmitz’s journey is a long, circuitous one that takes her from Naropa Institute and study with Allen Ginsburg, (who was invited there by the Tibetan Lama Chogyam Trungpa), to a Peace Vigil above the Wailing Wall in Israel, with travels along the way in Bali, India, Turkey, and Kashmir.
Schmitz, an English teacher and writer living in Norfolk, Nebraska, also studied Carl Jung, Joseph Campbell, and Paramahansa Yogananda, made pilgrimages to sacred places around the world searching for mystical experiences, and ultimately found her place within the Sufi tradition by practicing Sohbet (spiritual discourse) with Shahabuddin, her teacher and mentor.
During her journey through “two year intensives,” and the deepening of her spiritual experiences, Schmitz began to feel despair and experienced the “dark night of the soul,” a period of boredom and aridity accompanied by stagnation of will and intelligence. She quotes from one of my favorite authors, Evelyn Underhill, the Anglican mystic who wrote the “bible” on the enhancement of consciousness, Mysticism: A Study of the Nature and Development of Man’s Spiritual Consciousness, and who advocated that the dark night is a natural balance to the highs of spiritual exultation and the reception of the Holy Spirit. Underhill would have applauded Schmitz’s long journey as she wrote that “we are all the kindred of mystics…”
I particularly appreciated the section relating to the famous Turkish-born poet Rumi, who has gained popularity in the U.S. with the publication of his famous poem (included in Path of Lightning): “This we have now/is not imagination. /This is not/grief or joy. /not a judging state, /or an elation, /or sadness. /Those come and go. /This is the presence/that does not…”
Schmitz is a poet who has been recognized by Natalie Goldberg as someone who “endeavors to understand the mystery and beauty of being alive. I name her the Queen of Constancy for her devotion to meditation and never letting up or giving up on her spiritual journey.” One of Schmitz’s minimal poems in Path of Lightning, which she wrote on a pilgrimage to Turkey, illustrates her training in and mastery of metaphor, as well as her appreciation for the style of Sufi poet Rumi: “In Turkey/in the cemeteries/the uncut grass/on graves above/grows long/competing/with the uncut hair/beneath.”
Schmitz struggles through the four C’s on her journey: “Compare Not, Complain Not, Criticize Not, and Condemn Not” and remarks, “If I really do these, there’s not much left to talk about. I made a small sticky note with the four C’s on it and attached it to a photo on my desk at work to remind me to practice them at school. I gave it a stab – glad I didn’t have to report to anyone on how well I did them…” Those four C’s resonate throughout the Path of Lightning and are good guideposts for anyone engaged in a deeper search for spiritual enlightenment and compassionate treatment of fellow human beings.
On one of Schmitz’s trips to India, she pays loving tribute to her husband who has made his own spiritual journey alongside her to various countries and through her many illuminations. The sincerity of this passage impressed me deeply: “I sometimes don’t notice right at the moment, but Bob is as much my teacher as Shahabuddin, probably from the moment I made the decision to trust that my love for him (Bob) would lead me to God. He is always beside me, clarifying, discussing, helping, redirecting me when I get mixed up or confused…”
This is an unusual book written in a highly accessible style by a highly enlightened person who was given the name Vajra by her Sufi teacher after her first trip to India – a name that means “transformation by the lightning bolt,” and the Path of Lightning is filled with illuminating flashes that will attract readers interested in further developing their spiritual growth.
An incisive note by Schmitz on the compassion advocated throughout Path of Lightning: “Our path is to live with others, to learn to be a human being, Self analysis is looking at the self in relation to one’s family, peers, and friends…and I remember Shahabuddin teaching in one of our seminars, ‘We are sitting on a pile of gold. Why do we want to pick up rocks?’” After reading this personal odyssey about self awareness and growth toward “otherness,” we might ask, “Why indeed?!”
Available at Pinyon Publishing, 23847 V66 Trail, Montrose, CO 81403.
Sunday, October 21, 2012
THE ELEMENTS OF OUR ENVIRONMENT
12 A Song of Creation Benedicite,
omnia opera Domini
Song of the Three Young Men, 35‑65
One or more sections of this
Canticle may be used. Whatever the selection, it begins
with the Invocation and concludes
with the Doxology.
Invocation
Glorify
the Lord, all you works of the Lord, *
praise him and highly exalt him for ever.
In
the firmament of his power, glorify the Lord, *
praise him and highly exalt him for ever.
I The Cosmic Order
Glorify
the Lord, you angels and all powers of the Lord, *
O heavens and all waters above the heavens.
Sun
and moon and stars of the sky, glorify the Lord, *
praise him and highly exalt him for ever.
Glorify
the Lord, every shower of rain and fall of dew, *
all winds and fire and heat.
Winter
and summer, glorify the Lord, *
praise him and highly exalt him for ever.
Glorify
the Lord, O chill and cold, *
drops of dew and flakes of snow.
Frost
and cold, ice and sleet, glorify the Lord, *
praise him and highly exalt him for ever.
A few weeks ago,
The Rev. Barbara C. Crafton held a retreat at St. Mary Conference Center,
Sewanee, Tennessee sponsored by the Sisters of St. Mary’s Convent. It was a day
of quiet time, talks, and centering prayer. I had never read Barbara’s books or
attended any of her lectures or retreats, and her presentation of “Winter and
Summer, Glorify the Lord,” mesmerized me. The publicity preceding her
appearance quoted her as saying “I love the idea of all the elements of our
environment praising God in concert. It isn’t just about the weather, but about
God’s care for us, no matter how bad things look.” She based her talks on the Song of
the Three Young Men, Benedicite,
omnia opera Domini, beginning on
page 88 of Morning Prayer II in the Book of Common Prayer (shown above for those of you who want to read the canticles).
A tall,
attractive woman with slightly graying hair, Barbara walked into the conference
room, shook hands with each participant (35 people), then sat down in a tall
director’s chair and began reading “A Song of Creation.” It was an arresting
experience, and I didn’t record anything because I was so taken with the
presentation.
The Rev. Barbara
Crafton is an Episcopal priest, a spiritual director, and author of several
books; e.g., The Sewing Room: Uncommon Reflections on Life, Love and
Work, but the title she mentioned
that drew my attention was Jesus Wept, her personal story of depression,
coupled with the narratives of many people who have battled with, and overcome,
this disorder. I ordered it for my Nook and read it in one sitting.
In the preface, she writes: “… How
hard it can be to heed and act on Jesus’ words, ‘Let not your heart be
troubled,’ without either lying or sounding falsely pious…chronic fear is not
about lack of information: it comes from within. The same is true of chronic sorrow: it does
no good to point out to the sufferer that she is really blessed in many ways,
that things really aren’t so bad, that many other people have it much worse,
even if all those things are true.
Depression comes from within, not from outside us…” Barbara explains that internal woes are often
authored by the brain’s chemistry and improve markedly with the right medicine,
rightly managed. She also talks about talk
therapy or behavioral therapy as a treatment, and, in a subsequent chapter, the
“beauty of prayer.”
Barbara
currently directs The Geranium Farm, an online organization devoted to spiritual growth and
practice. She was a chaplain at Ground Zero during the recovery effort after
the attack on the World Trade Center. For many years, she has also worked as an
actress, director, and producer, and her books and radio scripts have won
numerous awards such as the Polly Bond Awards from Episcopal Communicators and
the Gabriel Award for religious broadcasting. She has also been a commentator on
“America at Worship.” You can Google Barbara Crafton online at her website, The Geranium Farm.
During one of
the segments of the retreat that I attended, Barbara talked about death and how
people in our American culture spend so much time denying death. In that talk
she covered a bit of physics and explained that the energy in matter is never
destroyed. Following the presentation about death, I went outdoors and sat on a
bench near the bluff to write the following:
AN HOUR WITH BARBARA CRAFTON
We do not dread so much
the pains of hell
as the loss of personality,
the precious way we laugh
or talk or try to impress others,
and perhaps we will lose all of this.
She told us we decompose,
are recycled, never destroyed,
and we cannot help wondering
what form decomposed bodies will
take,
if we’ll have any say
in the tomb of reconstituted
matter.
Oh, how good it would feel
to be recreated as a bird,
a purple/black crow
strutting in the sun,
cackling his canticle of joy,
his revenge over death;
piloting the universe,
dropping in free fall,
then rising again with urgency
in the same fashion
as we would hope the dying soar,
free fall, and rise again,
exulting in the sphere of His love.
P.S. Leaving my desk in Tennessee this Thursday,
and the next A Words Worth will be sent
from Louisiana after we settle in, which will be the following week.
P.P.S. We’re leaving the skunks on the Mountain, but
we had another invasion from a critter two nights ago. Skunk?
Possum? Coon? Chipmunk?
Squirrel? Whatever the animal is,
it has caused me to give serious consideration to the idea of moving to the
city.
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