WINTER

Friends think I’m stretching the truth when I say that I lived in a place where the temps dipped to 52 degrees below zero in January 1954. This morning, people in that place — Limestone, Maine — are experiencing only thirteen below zero, but their winter won’t be over until May. I know because in May of the year I experienced the 52 below zero temp, I went outdoors wearing a short-sleeved shirt. Sub-zero weather lasted long enough for me to memorize most of the quatrains of the Rubaiyat and listen to recordings of Tchaikovsky’s music so much that I could hear the music reverberating in my mind even when the little 45 rpm record player wasn’t turned on. What became apparent to me is the same thing that became apparent to me while living in the desert province of Khuzestan in Iran — people who live in extreme climates had better develop a gracious plenty of indoor pursuits. 

Right now, temps in Louisiana have been in the 20’s, and winds from the north bluster over the swamps at 17 and 18 mph. We laugh when someone kids us about returning to the South from The Mountain at Sewanee, Tennessee to get warm. Temps at Sewanee hover around 7 and 8 degrees, and I receive e-mails from friends on The Mountain complaining about the hard winter. When I read them, I cite my famous statement about living in Maine during the winter that temps dropped to 52 below zero. It’s almost as good a line as the one that an old-timer tells school children about trudging a mile or so to school in the snow back when…

Many authors based, and still base, their writing habitats in wintry Maine: Henry Wadsworth Longfellow, Sarah Orne Jewett, Edna St.Vincent Millay, E. B. White, Stephen King…Sarah Orne Jewett remains among my favorite Maine writers. I didn’t visit her home place in South Berwick, Maine because I was rather isolated in northern Maine, but I discovered The Country of the Pointed Firs, a series of sketches written about New England life, in a Limestone library while I lived in Aroostook County, Maine. In this volume, Jewett talks about the “unchanged shores of the pointed firs, the same quaintness of the village with its elaborate conventionalities, all that mixture of remoteness, and childish certainty of being the center of civilization of which her affectionate dreams had told…”

Jewett lends a kind of romanticism to the stark winter I spent in Limestone; however, truth told, an old oil stove and an electric blanket were my only defenses against the wind that whistled under the eaves of a two-story farmhouse in which we lived. No heat in the bathroom; no heat in the bedroom; no garage to keep the block from breaking in an ailing Mercury station wagon; meatless meals and much beans-and-potatoes fare; no washer/dryer and lots of washing clothes in the bathtub of cold water. I have a long list of discomforts, but oddly enough, over forty years later, I began to write a novel entitled The Maine Event and last year, I had the novel recorded by a professional reader and put on Audible. As I listen to it, I find that the descriptions of the area and the primal forces of nature loom larger than the story, but, no matter, I enjoyed relating the memories of that winter of the 50’s.

I lived near descendants of Acadians who settled in the St. John River Valley after being exiled from their homeland by the British. Their homeland Acadia had been renamed Nova Scotia by the British in 1710 which ended one hundred years of war between the British and French in North America. New France consisted of the colonies of Acadia, Louisiana, and Canada (Quebec). The St. John River had been a prime communication route between Port Royale, Acadia, a port from which some of my ancestors departed! I had no knowledge of this family association when I lived in Maine or perhaps I’d have been more interested in the history of Aroostook County. In my readings today about this history in Land of Promise edited by Anna Fields McGrath, I discovered an arresting sentence: “The Acadians remained dominant due to their very large families, economic control, and stubborn adherence to oral traditions and melancholic memories…” And why was I not surprised at that description of the Acadians?!

Meanwhile, the temps have risen to 31 degrees in New Iberia, Louisiana and dropped to 9 degrees below zero in Limestone, Maine, and I am happy to be reminiscing rather than living in the harsh “Land of Promise” first inhabited by humans 11,000 years ago.

MIST

Louisiana Mist

This morning I woke up and looked out the window at a landscape veiled in mist, a familiar scene during the fall and winter here on The Mountain at Sewanee, Tennessee. It seems that I move between mists and mists. In the summer and fall, I live at Sewanee, a place where, as one of my poems reveals, “the mist stores itself/ between the dark tree trunks/obscures the valley, /the air dense and wordless.” In the winter I live in New Iberia, Louisiana where similar mists prevail. They were once captured in the paintings of Alexander Drysdale of New Orleans, Louisiana (1870-1934) who thinned his oils with kerosene to produce the shadowy landscapes that made him famous. In later years, photographer Debbie Fleming Caffery of south Louisiana was attracted to what she called “shades of mystery and shadow” and gained national recognition for the photography of sugar cane fields shrouded in Louisiana mists.

Writers and artists have always been intrigued by mist, the condensation of water vapor that dims and obscures landscapes, often hiding such brilliance as the flaming leaves now turning orange, yellow and red on The Mountain here. Tolstoy, Faulkner, Yeats, Dickens, to name a few writers, wrote about mists hiding the changes taking place in nature or obscuring human figures so that they weren't recognizable at a few yards. The famous novelist Stephen King wrote a novella entitled The Mist, a story about people experiencing terror in a small town in Maine when it was engulfed by mist, and otherworld creatures appeared.

Here on The Mountain, we get socked in by mists and delay going down to the valley for provisions of any kind until it burns off. Those socked-in days become ones involving indoor pursuits. I know that when I return to Louisiana, there’ll also be mornings when mist will hang over the slow-moving, brown waters of the bayou, and I’ll feel a certain malaise and sense of isolation provoked by the gray landscape.

The only places I've lived where mists didn't hover over the landscape are Ahwaz, Iran and Electra, Texas. In Iran, the sky seemed to always be like a blank sheet of blue copy paper – cloudless, mist-less, and filled with merciless desert heat. However, a calendar with a painting of a misty sky hung beside my old tin desk in the front room of my home in Melli Rah and made me nostalgic for the landscapes I’m now complaining about!

Mists have actually inspired my Muse to write poetry and full-length mysteries containing numerous mentions of “mist” which I used to portray the atmosphere of south Louisiana and Mississippi; e.g., (from Chant of Death), “Insects whirred monotonously and Malachi thought how like the monk’s chants their incessant steady singing was, only the insects never seemed to sleep…As his eyes adjusted to the darkness, he could see vague swirls of mist hanging over the lake…” Or from Goat Man Murder: “When Donald Majors returned to Pecan Grove as the sun pierced the morning mist, he discovered his sister Penelope already at breakfast…the long kitchen that faced a back gallery harbored a cheerful spirit not found elsewhere in the mansion…” (The latter mystery is presently being transposed into a script for a play by Rose Anne Raphael of New Iberia). Then there’s a scene from The Kajun Kween, my young adult book set in south Louisiana, in which Petite Marie Melancon goes into the swamp and encounters a loup garou (werewolf): “Out of the wispy mist ahead, something glowing yellow-white leaped up and floated toward the pirogue…”

There are many more allusions to mist in my writings, as well as in the works of more famous writers, and on such a misty day, I could probably spend the entire morning searching for such allusions. However, it’s 10 a.m; the bright fall leaves on the trees in my backyard are beginning to poke through the oppressive gray blanket, and I have packing to do to prepare for mists to come in bayou country.

Painting by my brother Paul Marquart

P.S. Coming Soon! A review of Dr. Victoria I. Sullivan’s and Susan Elliott’s newest book, Why Water Plants Don’t Drown, published by Pinyon Publishing, an excellent marsh plants guide with beautiful drawings and illustrations.