During the services at St. Mary's Convent, Sewanee,
yesterday, I was happy to hear the priest talk about The Arts as a way to
connect with God, expanding that notion to include the art of poetry. I felt
like adding to her remarks those made by Urban T. Holmes who said that when
Anglicanism is at its best, its liturgy, its poetry, its music and its life can
create a world of wonder in which it is very easy to fall in love with God. The
presiding priest at St. Mary's also said that reading poetry and listening to
music could inspire the same spiritual connection. So, following services, I
went home and opened a book of poetry entitled In Passing by John Miller
that I had received in the mail when I returned from our visit to Louisiana.
In Passing, Pinyon Publishing's newest
publication, covers the lifework of Miller who has published poetry in a
variety of journals, two full-length collections and several chapbooks. Many of
these publications are compiled in this compelling collection of musings about
love, survival, grief, history, and mortality, and Miller expresses his insights
in a clear, definitive voice.
Miller's poems are highly accessible, and he's at his best
in a section devoted to his father and their relationship entitled "Time
and Time Again." I was moved by the intense current of ideas in
"Where We'd Caught The Big Ones," as the poet follows his aging
father on a fishing trip in Hawai'i "down to jagged lava, the promise/off
its jut..." and the poignancy of the lines that expose the old man's
vulnerability and the poet's desire to help him: "Balancing our way/over
rough stone, uphill, toward the road,/I want to take his hand, offer/to carry
all our gear, but do neither,/granting him his own slow pace..." This
exact memory of a stark moment in the poet's life conveys the pain of observing
mortality and will not fail to move readers with its expression of anguish.
The gem in In Passing is a poem entitled "Emily
Dickinson," formerly published in The
Southern Review, and a full excerpt of the second section in the poem will
titillate devoted readers of the bard of Amherst whose poetry gained
immortality in collections published after her death: "A burning bush, a
blaze of light:/if such intensities thus spoke His will, /what was her worship
as she waited/rapt by the stealthy glow aslant those hills/of frozen Amherst?
When light faded, /when trance deepened to shadow in its dumb/unciphered pause,
it was she who paid/absence its due and saw its kingdom come..." The
emotional poise and power in this poem expresses a truth told in unmistakable clarity
and is infused with deep personal radiance. I call it one of those "great
poems."
A poem entitled "At Eventide" reminds me of Julian
of Norwich's observation that we experience spiritual moments in our lifetime through
both consolation and desolation. Miller creates an arresting picture of a woman
in a Tampa Bay retirement home watching every evening from a fifth floor window
for a man on the beach "...hunting shells or meditating/or both, she can
never tell..." The appearance of the man and the moments of his activity
in her inactive life seem to comfort her, and when he disappears into the
darkness, she reflects: "...She sees beyond, a pyramid of lights/mirrored
in the offshore calm. /A cruise ship anchored. There must be/voices, laughter,
dance music, karaoke/on board, drowned for her by distance/and the ceaseless
swell, /the curl and crash of waves into the night." This poem also
reminds me of W.H. Auden's "Musee de Beaux Arts," his poem about
suffering in which he writes: "...The expensive delicate ship that must
have seen/Something amazing, a boy falling out of the sky, / Had somewhere to
get to and sailed calmly on..."
Publisher Gary Entminger touts that Miller's poems are easy
to read quickly but they contain the depth to encourage readers to return for
second readings. His remarks are on the mark—I read the volume in one
sitting; however, this morning while listening to Perahia play and direct
Mozart's piano concertos, I returned to them again and discovered deeper
meaning and resilience in Miller's writings. Here is an original poet whose
wisdom is strongly apparent throughout In
Passing, but readers won't just read
this collection "in passing!"
John Miller grew up in Hawai'i and earned his graduate degrees
from Stanford University. He retired from Denison University and lives with his
wife Ilse in a retirement community in Lexington, Virginia.
Order In Passing
from Pinyon-Publishing, 23847 V 66 Trail, Montrose, CO 81403
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