During my time on The Mountain at Sewanee, Tennessee, I've
befriended several artistic women who have made notable contributions to the
writing and art world and who explore connections between art and spirituality.
I've written about Sewaneean Barbara Hughes and her work teaching art to
children in Haiti, as well as her work with the women of Tanzania in previous
blogs, but today I'm looking at her beautiful new book entitled Enfolded in Silence, subtitled A Story in Art of Healing From Sexual Trauma in Childhood, and am moved to
write a few lines about Hughes' personal journey through this painful
experience of childhood molestation.
Hughes' long journey from childhood sexual trauma to healing is
traced through poetry, prose, and graphic paintings that illustrate the
powerlessness and guilt she experienced for years following molestation by a
predator. The exalting aspect of this narrative is Hughes' triumph over this trauma and her healing through spiritual grace that returns her to personal wholeness.
In the second section of her book, Hughes shifts the
emphasis from personal confession to a helpful plan for survival that includes
journaling, praying, 12-Step Recovery, and Post Traumatic Syndrome Disorder
strategies, but it is through art that she achieves wholeness. The paintings,
some of which are accompanied by raw poems that howl with her suffering, tell
about her odyssey in passionate images that no candid written confession could
achieve. When Hughes began to rethink and re-image her sexuality, she used the
medium of art, making collages of positive images of sexuality and putting them
in a safe place. She discovered other pictures that connected sex with love and
tenderness and placed them where she could view them often.
A special section highlighting recovery from addiction will
be helpful to those who attempt to cope with sexual abuse by overeating, overworking,
and other forms of addiction. Her work with therapy and 12-step recovery is a
testament to the power of 12-step groups — in her case, her involvement in this
program gave her time "to mourn the loss of the comfort addiction had
given me and to become entirely ready to let it go." Combined with
therapy, Hughes began to heal and to emerge from denial, and she confesses to a
"long slow struggle," witnessing to a recovery that "feels like
a miracle every day."
This is a rich narrative of a personal transformation that Hughes
decided to share with all women who have survived childhood sexual trauma, and the
book is only one of the ways in which she supports individuals who have been
abused in this way. She writes that those who have been abused seem to find their way to
her, and she also leads workshops, retreats, and support groups using art for
women survivors of sexual abuse in her studio, Rahamim Retreat and Clay House, and for churches and other
centers of healing. In addition, she does spiritual direction using art and
touts it as a "powerful force for healing in the world."
Hughes has taught art and spirituality at the Episcopal Seminary,
University of the South, in Sewanee, Tennessee for many years and teaches in
Tanzania when the opportunity arises. She has exhibited her sculptures and
paintings throughout the U.S., and her Cathedral Nativity is the official crèche
of the Washington National Cathedral. She is married to The Rev. Bob Hughes, an
Episcopal priest and retired professor of theology at the Episcopal Seminary,
University of South, who has authored the definitive book on the Holy Spirit
entitled Beloved Dust.
Enfolded in Silence
is a tragic story, but it is a redemptive one that inspires victims who have
suffered childhood sexual trauma and those who work toward the goal of healing
abused women throughout the world.
Enfolded in Silence
includes a cogent foreword written by Dr. Mary Ann Wilson, professor of English
and Women's Studies at the University of Louisiana in Lafayette, Louisiana
Order from Border Press, P.O Box 3124, Sewanee, Tennessee or
amazon.com.
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