POSTCARDS FROM THE PAST

J. R.Willis was a reporter for the Atlanta Constitution who migrated to the western United States and set up a photography studio in Gallup, New Mexico, during the mid 20th century. His photographs of the landscapes there look like paintings, and he supplied them for postcards published back in the 1940s, some of which I own because my mother collected these beautiful cards during a trip West with my family in 1946. I keep them in a small black notebook, and on wintry days, like this morning, I take them out and revisit the desert, thinking of warmer days.

My mother appreciated fine art and recognized that Willis wasn’t just someone who snapped a photograph and sold it to a postcard company in Chicago to make a few dollars. He was a notable artist. I have several of Willis’s postcards that she collected and kept in an old red purse that I discovered after her death. Although the cards may be worth money as genuine “collectibles,” I wouldn’t part with them for big dollars.

On gray winter days, I revisit the postcards and travel to Arizona, New Mexico, and California, making the trip that my mother, Dorothy Marquart, regarded as the high-point of her life following WWII. She loved landscape paintings on postcards and newspapers she collected in small towns of the West, including one of Copperas Cove, Texas that she kept for years and a younger brother destroyed. We made many stops in a bright blue Ford that fumed through the West so she could collect the cards and newspapers, but we children enjoyed the hiatus from constant travel—day and night—for two months!

Another collectible was a postcard featuring Twenty-Nine Palms in Palm Springs, California, the work of Stephen Willard. Willard was recognized as a noteworthy artist by Curt Teich, producer of postcards during the 20th century. Willard’s vintage photographs, postcards, and 16,000 items are featured in the Palm Springs Desert Museum. Like many western photographers, he spent summers in the mountains and winters in the desert.

I don’t often include poems within my blogs because I revise them frequently. Besides, every spontaneous poetic thought that enters my mind doesn't deserve publication. This is the snippet I wrote when I viewed the postcards a while ago, and I have returned to work on it again and again. It’s one for Dorothy.

DESERT MEMORIES

If you go too far into memory

you run into shadows,

places where sun rays

have been harsh,

absent of connection and variance.

But the air of too much winter

points you toward barrel cacti,

latticed spines diffusing sun rays,

organ pipes, like you,

struggling for life,

long stretches without oasis.

THE LONELY CAMELLIA

 

I always capture the first camellia to bloom in the back yard; however, three large bees fought me for possession rights today. Here it is December 30, and two blooms have appeared overnight, challenging the massive ginger plant growing beside  the drive of my home in New Iberia, Louisiana. The ginger (almost tree height now) managed to survive several frosts this year and was a daily sight of hope, despite the hovering coronavirus.

My deceased godfather, Markham Peacock, planted the now-towering camellia bush in 1995. It persists, despite lack of fertilizer or new soil, watering, covering to avoid freezes, any TLC. The secret ingredient must be a hovering spirit of love of beauty Markham left behind.

I helped him plant the camellia pictured above, along with two more that gave up during the first year of growth. I’ve written about the plant several times because I admire the flower’s endurance — it represents persistence and resistance, clinging to the banks of an unattractive coulee, resisting winters that lately remind me more of icy temps at our other home in Sewanee, Tennessee.

Unlike women gardeners of the 1940s and 1950s who lived here in the South, I’m not too keen on the cultivation of flowers. Still, I admire gardeners and read books about authentic plant growers of flowers such as the enduring and ubiquitous camellia. I respect their impact on their caretakers, e.g., Eudora Welty, notable author and gardener, and her mother Chestina, who had a lovely garden in Jackson, Mississippi, many decades ago. Chestina valued gardening as “a way to gain insight that could be applied to life in a broader sense. A garden is a grand teacher. It teaches patience and careful watchfulness…Above all, it teaches entire trust…”*

Oops! How I’ve ignored that bit of counsel! The Weltys staked their camellias and made little slipcovers to prevent them from freezing. They watered and applied fertilizers, believed that their plants had aesthetic value… And they would’ve cast me out of their paradisaical garden in a heartbeat. I wonder if Lady Clare camellias still grow under Eudora’s bedroom window of her home in Jackson, Mississippi. When I visited her home and garden a few years ago, I felt like a traitor to the caretaking of my lonely camellia.

I console myself by thinking that perhaps because I’ve written so many poems about this courageous flower, it does receive some form of nourishment via literature. Or the spirit of Markham’s love of aesthetic creations persists…

 

* One Writer’s Garden by Susan Haltom and Jane Roy Brown.

Photograph of camellia from my backyard by Victoria I. Sullivan

 

 

 

 

 

MAINLY COLD

 

Over a half-century ago, I lived in a place unsuited to my Louisiana warm blood. Although the temps here are closer to 48 degrees above zero, I was reminded of the 48 below zero temps I endured in Maine one winter. The place: a small town called Limestone; the reason I’d been displaced there: the US Army. No, I wasn’t a GI at the time, but my former spouse had been assigned as an Army radar specialist attached to a SAC base in Limestone. The big joke was that we had endured the heat of El Paso, Texas because of some perverse military reason and were then sent to Limestone, Maine, where winters were harshest in the northeastern US. 

 

Maine was a place where native Abenaki tribes called themselves “People of the Sunrise.” The irony is that the sun was seldom seen, especially that winter in 1954. However, like the Abenaki, we reached out for the rising sun daily.

The average Maine temps in January that year I resided in Limestone dipped to about 15 degrees Farenheit and summer came late. L. L. Bean of present-day fame hadn’t become a popular outdoor outlet, so I didn’t have access to bulky sweaters or sturdy shoes, and my first walk in downtown Limestone in southern loafers resulted in a fall on ice. However, the air seemed clean, and the town boasted of the Robert Frost Memorial library.

 

Due to Scots-Irish immigrants' efforts, the potato had become a leading crop in Maine, and Aroostook County (Limestone) remains the primary producer of this crop. Potatoes were the major daily fare on our table. When we mustered out of the Army after trying to live on non-commissioned officer’s pay, we’d gained weight. The leading causes of our change to "rotundity": potatoes and Texas pinto beans!

This present state of isolation due to Covid reminds me of that winter isolation in Limestone when I spent hours reading and listening to Tchaikovsky (his 5th symphony, for some melancholy reason), and trying to escape a neighbor who wanted to play Canasta from 8 a.m. until 4 p.m. while chain-smoking Herbert Tareyton cigarettes.

We were discharged in May, so I never saw the Annual Crown of Maine Balloon Festival that occurs in Caribou, a few miles away from Limestone. Nor did I get to visit the Acadian Historic Village near Van Buren although most people who live in and around Van Buren are of French Canadian descent, and I would’ve been at home among these Acadians.

While visiting the Frost Memorial Library, I discovered the writings of Sarah Orne Jewett (1849-1909) who spent most of her life in South Berwick, Maine and whose writing featured the speech and character of ordinary Mainers. I’ve read and re-read The Country of the Pointed Firs, perhaps because a teacher of English Literature once told me my writing style reminded her of Jewett’s writing. I’d have preferred a comparison to Maine born Edna St. Vincent Millay who became famous for “Renascence,” but Jewett’s A Country Doctor is a notable classic, and I still appreciate the comparison.

Snow fell constantly that winter and reached the height of telephone poles, but French fries and pinto beans…and, oh, occasionally a bowl of blueberries…sustained us. And bravo the earmuff, invented by Chester Greenwood, a fifteen year old boy who saved us from frostbite.

 

Image on cover by Paul E. Marquart, my brother.