Monday, July 8, 2013

MYSTICAL FOREST

While residing in this “mystical forest” in Sewanee, Tennessee, I’ve completed another book of poetry which is now available on amazon.com and, of course, at Border Press. I’m blessed to have the quiet time necessary to write while living on The Mountain, and some of the poems are about my life here. The title poem explores the feelings of an artist (my brother Paul) when he painted his perception of a mystical forest for his wife, Lori.
A section of the book focuses on another chapter in the ongoing “Going to Diddy Wah Diddy” saga, a saga fueled by postcards my mother bought on my childhood journey to California during the 40’s. Other poems focus on everyday life and people in Louisiana and on the Cumberland Plateau, as well as a poet’s struggle with the past and aging.
That’s a brief summary of the book. I’m not so self-aggrandizing as to review my own book, so I include here some of the wonderful affirmations and endorsements of Mystical Forest written by other authors, teachers, and poets:
Mystical Forest is a feast of a book. It finds its spiritual rhymes in poets as various as Donne and Herbert, as various as Hildegard, May Sarton and Mary Oliver. Diane Marquart Moore is a metaphysician who brings the sacred to this world she loves even with the dirt and grit ever in it; even with the hurt and wound ever a part of the mystical pact. Just as she loves and honors the imperfect world in these poems, so too does she love and honor whatever comes before and whatever comes afterward. If you should hear something like the birdsong of Olivier Messiaen and the risings in Arvo Pärt’s compositions when you read these poems, you are not just hearing things. Moore is that good.” –Darrell Bourque, author of Megan’s Guitar and Other Poems from Acadie, and former Louisiana poet laureate.

“‘A small world blooms/at the edge of a disturbed bay’ in numerous poems of Diane Marquart Moore’s newest collection, Mystical Forest. Whether in an affirmation of solidarity out of a history of abuse (‘Barbara’s painting’) in solitary prophecies received on a family pilgrimage by the young poet-to-be, or in a couple’s intimate twirl on the dance floor of the world (‘Dancing With the Stars’)–Moore’s poems illuminate small worlds with precision and poignancy as though one is entering the mystical purple light of her artistic mother’s ‘fragile dream.’ Is the real world truly the ‘backyard of paradise’? Could an owl’s hole in a tree offer a refuge of escape? Can a blast of Mozart sonatas evoke a world to counteract the doldrums of a gray winter’s freeze (‘Too Much Gray in the Day’)? These artfully crafted poems–‘words creating the plenty/of moments left standing’ – answer Yes.” –Isabel Anders, author of Miss Marple: Christian Sleuth; Becoming Flame; and Spinning Straw, Weaving Gold.

“With a poet’s craft, with a painter’s eye, Diane Moore’s evocative poems lead to places that are personal and universal. ‘Giving birth to simple insights,’ Moore writes – just one more reason to follow her on a rewarding journey.” –Michael Miller, author of Into This World.

“This wonderful collection sings of friends, family, and place, but also of loss, regret, and wonder – all part of a life well lived, richly imagined, and beautifully expressed. Its poems resonate with clear observation and earned wisdom. Whether tracing a childhood odyssey out west, or simply capturing the landscapes of her Louisiana and Tennessee homes, Diane Moore gives us a world that brings us back to our own with renewed clarity and insight.” –Mary Ann Wilson, Departments of English and Women’s Studies, University of Louisiana, Lafayette.

I’m humbled by the endorsements these fine writers have written about Mystical Forest and hope that you enjoy this, my 34th book. 
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